The first thing you’ll notice when you plug the LT25 in is that there’s a really usable ‘flat and dry’ sound that lets your bass’ own natural voice do the talking, but which also serves as the perfect platform for effects (either the amp’s built-in ones or external pedals). Or do what Fender really hopes you’ll do, and accidentally stumble onto a new use for the effect which will go on to inspire the next generation of bass players and make you rich and famous. Combine it with some spring reverb for a David Lynch kind of feel, cover it in distortion for a post-rock fuzzed-out throb, or use it to add a slow subtle sense of movement to long, sustained notes in a ballad bassline. The classic Fender tremolo sound in particular is really well-represented here, and after over half a century of that sound being used as maybe an afterthought in bass processors while guitarists and electric piano players get to have all the fun, it really feels like it’s being given the care and attention it deserves in the bass sphere. Sounds that we often associate more with guitarists, but which can really help bassists to carve out their own special place in the world. What’s that, you say? Other stuff? Why yes: the Rumble LT25 is designed not just to offer classic standard bass tones, but also sounds that are intentionally more unique and creative – the idea being that Fender wants to push bass players to be inspired to explore new sounds and styles. There are weird Leslie rotating speaker tones, fat distortions, tremolo. A bigger speaker might have given the amp more volume, but at the cost of the sonic fine-points of some of the other stuff the amp is designed to do. That eight-inch driver is not a huge speaker for a bass amp, but the solid cabinet construction really helps to maximise the sound, focus the low-end through the bass port and give you lots of detail in the middle and high frequencies through the driver. Headphone Outputįor convenient personal listening at any time that won’t bring the house down on anyone else within earshot, this amp features a headphone output jack.(Image credit: Fender) Let's get ready to.īut if that was all the Rumble LT25 was about, then there wouldn’t really be any need for all those other sounds, right? So you’ll find edgier, rougher sounding rock basses, fat distortions, presets optimised for slap-and-pop techniques, deep dubby sounds, ratty fuzzes and more. Overdrive SwitchĪt the mere flick of a switch, your Rumble bass amp gives you gritty, aggressive, incredibly rich and satisfying overdriven tone. Auxiliary Inputsįor easy connectivity with digital media players and other similar devices, this Rumble combo is equipped with an 1/8" stereo auxiliary input. ![]() A great practice, at-home and coffeehouse-gig combo for any bassist. Small but loud, it's built with great features including classic Fender styling, 8" speaker, overdrive circuit, mid-scoop contour switch and more. The stylish Rumble 25 combo pumps 25 watts of pure Fender bass tone. What Fender Says.įor bassists everywhere at all levels, Rumble bass combos are re-engineered to be astoundingly compact, portable and lightweight, with seismic Fender bass tone and stage-worthy features. A single 8" speaker for serious punchįender loaded the Rumble 25 with a single 8" speaker - the perfect choice for making maintaining punch while keeping volume at bay. And there's an 1/4" headphone jack, so you can practice late into the night. ![]() ![]() It's stuffed with a handy aux input that you can plug your iPod, laptop, drum machine, or other practice gear into. Need a little extra teeth for a particular song or passage? The Rumble 25's built-in overdrive has your back. These give you a ton of flexibility to find your signature sound. The Rumble 25 combo's sound-shaping tools let you sculpt the sound, including contour and a 3-band EQ.
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